![]() Mixing engine bay with exhaust produces the most hollywood-like and impressive results. Using only the exhaust sound will result in a very one-dimensional character.lots of cool noises in the engine bay, especially in high performance vehicles like the RS7. Air intake sound, turbo whine, the wastegate whistling. ![]() Do it! Just watch out not to place them on very hot components: on the engine block or the exhaust parts.And check that your mics can withstand 50-80 deg Celsius. Engine bay mics are standard practice.Expect days of editing the sound to match the picture. "patching in after the fact" will be loads more work than recording audio and video at the same time.an engine under load doesn't sound like an engine revving while standing still at all.I strongly disagree with a lot of Dave's recommendations, based on my experience recording vehicle sounds for racing games, advertisement and sound engineering:
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